Ted Berrigan’s first poem is probably one of the more
interesting poems I have read. The sonnet is filled with cultural references to things in the 1960's. Marilyn Monroe, the model, and actress who died in 1962. William Carlos Williams, the poet, whom died in 1963. Joe Brainard, the artist and writer, seems to have collaborated with Ted in 1964. I cannot seem to figure this poem out. It reads like it was written using the cut-up technique. This technique is done by cutting up a full text such as a newspaper, a word or two on each piece, and arranging each piece into a new original text. It doesn't appear to have much rhyme or reason.
Susan Howe's poem from Singularities seems nonsensical at a glance as well, but with a little looking into, I could at least come to the conclusion that it was about the French & Indian Wars. The scattered chaos of this poem is hard to interpret. It could be interpreted as being similar to the guerrilla warfare used against the French in battle, as pointed out in class. Even with this knowledge, some pieces of this poem still come across as nonsensical.
Langston Hughes's "Dream Boogie" is interesting. I could not understand why anyone thought that this poem had something to do with children because of the language used. "Boogie woogie", "bop", and "bebop" are obvious jazz terms, not childlike terms. Even the use of "Daddy" is likely just speaking of a friend. The poem seems to be speaking of the jazz movement in Harlem itself and racial discrimination. Jazz was popular among all races and ethnicities, but no one paid any attention to what the songs were about. They only listen to the beat, not the lyrics, not the message.